You do not go
into a Vijay movie expecting a complex plotline and some intense performances – You go for eight
songs (two shot in Switzerland), four fights and anti-climax/climax scenes. Thupakki,
while of course entertaining, takes clichés to another level altogether.
First twenty
minutes – the hero’s ‘better than gold’ image is re-iterated. He works for the
Army, and in case you did not get that, he comes home in his uniform, even when
he is on a vacation. Despite being in the Army and getting brain-fried every
single day, he gathers enough energy to do a hero-introduction number (in a
banian) and cheer fellow Army men. Then, he meets a girl in a traditional ‘ponnu-pakkal’
ceremony , but decides that their ‘tastes’ do not match, within five seconds of
seeing her.
But, of course
there comes a completely unexpected twist – he meets her again!! How the hell
do people run into the same people over and over again? I have run into exactly
ten people in my entire life. After some facepalm jokes and the girl re-establishing
her pristine, virginal image, he falls for her. Mumbai girl in shorts, who has
never kissed/touched another man, never smoked, and has had just one sip of ‘vodka’
- totally convinced.
Then, there is a
muslim terrorist, one sidekick policeman who is a goof-up, and loving family
who does not know that Vijay is not just an Army man but also a secret
intelligence agent – oh holy mother of all surprises. Terrorists in this movie
do not believe in codes. They message like friends. ‘Activate Plan B’ ’when are
the guns coming’ ‘all ok with blasts?’ and just so that we understand that they
are using private numbers , each time the head terrorist (who btw is really
hot) calls his juniors, ‘Non-trackable number’ flashes on the cellphone
screens.
Terrorists are
more subtle, have excellent deduction powers and have better plans in the
movie. Vijay and his group of minions on the other hand, wear suits, stand in
the middle of crowded areas, point and loudly say to each other ‘shoot him’ ‘follow
him’. Totally discreet secret agents. The climax is another 20 long minutes of
facepalmery.
Hot terrorist
asks for last wish before killing Vijay, and the hero demands that he be beaten
to death. An ego-filled terrorist then removes Vijay’s handcuffs and beats him
black and blue. Then, when you are getting ready to cry your eyes out and leave
the theatre thinking this is the end of world – a completely out-of-world twist
comes. Vijay self-repairs his body. His face, going through several
mini-orgasms, erm spasms, helps the rest of the body repair broken bones
automatically. Then, of course hero saves the world from terrorist attacks. End
of story.
Oh, hell no! What’s
a climax without melodrama? All Army men leave together, back to Kashmir. People are seen crying, newly-wed Army men
hugging wives, newborn babies tugging at their daddy’s shirts for one last time,
and more such gut-wrenching scenes. At this point, my friend said ‘Are they
going to Hogwarts? Same train they come in, same train they go back in?’
I rest my case.